Fashion

Hawthorne and Heaney watch CHANEL: Journey of a Collection by Loic Prigent

March 22, 2021 by Sophie Reynolds

Whilst going down a loop hole that is YouTube, I came across this wonderful hour long video/documentary by Loic Prigent that was filmed in June and July 2020, after the lockdown in France. The house of CHANEL commissioned him three short black and white videos for their social platforms which gave him access to the making of its new Haute Couture collection. The video shows design process through to the final show, and even shows the highly secretive way in which they create the woven fabrics.

Clip from CHANEL: Journey of a Collection, YouTube

It is fascinating not only because it gives you insights into the production of their couture collection, but it also seems really raw and a genuine ‘fly on the wall’ view of what the atelier is like.

So feast your eyes on the beauty that is CHANEL!

Clip from CHANEL: Journey of a Collection, YouTube

Words written by Sophie Reynolds

Photo’s sourced from YouTube; CHANEL: Journey of a collection by Loic Prigent

Hawthorne and Heaney explore the online exhibition by Amy Sherald: Hauser and Wirth

March 1, 2021 by Sophie Reynolds

The Hauser and Wirth, have released an online exhibition by the artist Amy Sherald; Womanist is to Feminist as Purple is to Lavender.

Through her monumental portraits of African American subjects, Amy Sherald explores alternate narratives of blackness through the exclusion of color from the notion of race. The Baltimore-based artist is best known for her stylized, figurative paintings of vibrantly dressed individuals rendered in grayscale skin tones against flat, highly-saturated backgrounds that evoke a sense of timeless identity. “I’m painting the paintings that I want to see in museums,” she said. “And I’m hopefully presenting them in a way that’s universal enough that they become representative of something different than just a black body on a canvas.” Sherald was the first woman to win the Smithsonian’s Outwin Boochever Portrait Competition grand prize with her 2016 entry Miss Everything (Unsuppressed Deliverance). Former First Lady Michelle Obama tapped Sherald to paint her official portrait for the National Portrait Gallery in Washington, D.C., which was unveiled in early 2018 alongside Kehinde Wiley’s likeness of President Barack Obama. (Artsy.net)

Michelle LaVaughn Robinson Obama. Oil on linen. 2018

‘Womanist is to Feminist as Purple is to Lavender’ comprises of five small scale (11x7inch) portraits by Amy Sherald that she painted over the course of the pandemic. This series is a prelude to Amy Sherald’s first solo exhibition in New York, which will open at Hauser & Wirth in February 2021. and present new full-scale paintings. Using the medium of gouache at her kitchen table, a material that she hasn’t used sine childhood.

In these paintings, Sherald reveals expressions of Black life that have been historically absent in Black imagery. She paints simple acts of leisure that are not the luxuries of privilege or passive pursuits, but are essentially elements of wellness that remind us of the restorative power of joy.

“These are less portraits of women than of a state of centeredness, relaxation, and security.” (Sherald 2020)

Untitled. Gouache. 2020

The women that she depicts in her portraits are from an archive of images that Sherald has collected over the past decades. She scrolled through them to find some inspiration in the photographs that she hadn’t painted from previously.

I’m not sure that as a black woman you can be a feminist. They are the same, but different, as Walker writes. As purple is to lavender. A Womanist works to ensure the well-being of men, women, and all of humanity. It’s not singular and I like that. (Walker, 2020)

Untitled. Gouache. 2020

Words written by Sophie Reynolds

Photo’s sourced from Hauser and Wirth and National Portrait Gallery

Hawthorne and Heaney Explores the Online V&A Museum Exhibition – Schiaparelli and Surrealism

February 17, 2021 by Intern

With London being placed into tier 4 and the closure of all things deemed as non-essential, I decided to explore some of the virtual exhibitions available online and came across the Schiaparelli and Surrealism collection displayed at the Victoria and Albert Museum.

Elsa Schiaparelli was an Italian fashion designer who challenged the concepts of dressing, playing with silhouettes and traditional tailoring. She was heavily influenced by the Surrealism movement and the Surrealist artists of the time such as Salvador Dali, Jean Cocteau, Man Ray and Bebe Barnard.

Surrealism is an avant-garde movement introduced in the 20th century that was heavily influenced out of the Dada movement. Its focus was to release the imagination of our unconscious mind, by juxtaposing images and ideas. With the freedom of the movement and the collaboration with artists and photographers, she stretched her creative boundaries, creating unique fashion statements.

Evening Coat- 1937 Elsa Schiaparelli and Jean Cocteau

This dark blue silk jersey evening coat was a collaboration with Jean Cocteau, who drew the facial features positioned on the centre back of the coat. Cocteau was obsessed with the effect of double imagery, as did many of the other surrealist artists. Looking closely at the artwork on the back at a first glance, you wouldn’t spot the vase shape containing pretty pink gradient ribbon roses. Instead, the focus would be on the facial forms. The beautiful gold embroidery detailing helps to distinguish both of the shapes as well as adding the glamour and luxury to the tailored coat.

Tear Dress – 1938 Elsa Schiaparelli

I’m sure you will find this dress stunning and intriguing too with the use of colour and print replicating rips and tears to mimic torn flesh. An idea that appeared on women in Dali’s paintings. The veil has the same effect also, however, includes an appliqued fuchsia chiffon underneath the cream fabric. A good contrast to the abstract print. It makes the viewer look into the work and use their imagination to understand the reasoning behind the idea and the design.

Skeletal Dress- 1938 Elsa Schiaparelli and Salvador Dali

Skeleton dress was the most significant garment creation in the collection made with black crêpe sheath and a raised skeletal form using the trupunto technique. The technique involves adding wadding into the back of the fabric after stitching a shape, forming a raised platform on top of the surface. Adding in hooks to link the bones together such as the leg connecting to the pelvis, added a style included in jewellery. The design itself, was sketched by Dali.

Velvet High Heel Hat 1937-38 Elsa Schiaparelli and Salvador Dali

One of my favourite pieces of this collection, was the velvet high heel hat, part of the Autumn/Winter 1937-1938 collection. I liked the way the hat has been thoughtfully positioned on top of the head with the bottom of the shoe face upwards. The idea came from a photo of Salvador Dali with a shoe belonging to his wife, placed on his shoulder. This influenced other ideas to come, placing unusual found objects on the head in three-dimensional structures. One of her other hat creations consisted of a lamb chop meticulously placed above the head to match the design featured on the summer jacket of 1938.

It has been a great way to view and revisit some of the fantastic artwork available online. Google Arts and culture have a vast selection of exhibits that are free and not just from the UK, but also some located all around the world. Worth checking it out.

Words written Jessica Westley

Photo’s sourced from Google Arts and Culture- V&A online exhibition

(This was written before the national lockdown)

Hawthorne & Heaney: Lord Justice Nugee Covid Style Icon

February 4, 2021 by Natasha Searls-Punter

It would seem that our recent project for Lord Justice Nugee has caught the imagination of the public as we find ourselves in a flurry of interest in the project and piece. We have found ourselves published and quoted in a variety of sources such as ‘The Times Diary’ , Scottish Legal News and ‘Legal Cheek’.

This was a really fun and inventive project for us to work on and we are delighted that some many people seem to appreciate the work that went into it. If you fancy seeing more about the making of this project you can watch a video about its creation on our sister companies youtube channel.

If you would like to get in touch with us about your own, similar project, let us know and we can see what we can make for you too- info@embroidery.london

Hawthorne and Heaney explore the online Vivienne Westwood: Politics and Fashion exhibition

January 21, 2021 by Intern

With the new National Lockdown measures put into place with the message to stay at home, it has given the perfect opportunity to search for art exhibitions online, exploring work displayed all over the world by various designers. I came across Vivienne Westwood: Politics and Fashion online exhibition by the British Fashion Council.

Vivienne Westwood is one of the most recognised women in fashion, known for her positive activism approach to her collections, displaying issues and disasters happening in the world today. She started designing in 1971 with her partner at the time, Malcolm McLaren in their shop located on the Kings Road, London. It became one of the most desired shops of the time, defining the street culture of Punk and Seditionaries. With the change of fashion over time, Westwood decided to turn to traditional Savile Row tailoring techniques, introducing her own flair and style to garments.

Vivienne Westwood climate change protest outside London Fashion Week

Westwood has spent years speaking out about climate change and the overconsumption of resources that are damaging the planet we live on. She supports charities such as Cool Earth and the environmental Justice Foundation. Her 2016 Spring/ Summer Collection ‘Mirror the World’ campaigned climate change well, using the challenges faced in modern-day Venice and using it as a mirror to show the world what we are all causing.

‘Mirror the World’ Spring/Summer 2016 Collection by Vivienne Westwood

The collection exploited the problems in Venice which include the lack of repair, mass tourism, cruise ships and overall climate change. With Venice being an ‘emporium of culture,’ Westwood used this with the reference to carnivals in a way that people dress and disguise themselves from their own identity and the life they may lead, linking back to the primitive era. Similarly, we are hiding away and masking the negative problems that affect the world.

‘Mirror the World’ Spring/Summer 2016 Collection by Vivienne Westwood

Watching the collection catwalk there were constant links made to nature and the environment in the choice of fabrics, clashing prints and slogans. There were some very interesting material choices used to create structure, shapes giving tailored looks which some may find risky to wear. Some of the pieces had added accessories which looked like they were sourced from emporiums and vintage stores. They were reformed to add bling and express the idea that old things can be reused to make something new. The hair and make-up complemented the looks well, both being conceptual and emphasising cracked or broken mirrors, expressing and exposing the ever-growing damage.

‘Mirror the World’ Spring/Summer 2016 Collection by Vivienne Westwood

Looking through this exhibit, it has opened my eyes to the destruction we all contributing to climate change. It’s interesting to see how Vivienne Westwood portrays these issues and the way she feels so well through her garment structures, fabric choices and accessories. It is extremely important at this moment in time to consider how we can do our bit to slow down damage to our planet, whether that be recycling, choosing alternative travel options or upcycling old clothes. This exhibition was available on Google Arts and Culture, where there are a huge variety of displays which are free to view and definitely worth looking at.

Words written by Jessica Westley

Photo’s sourced from Google Arts and Culture – British Fashion Council (Vivienne Westwood Exhibit)

Hawthorne & Heaney on The Marketplace

December 28, 2020 by Natasha Searls-Punter

Hawthorne & Heaney Personalisation booth in action

2020 has been a wierd year, for the past few years we have got into a rhythm that by the time about October comes, we will be doing a lot of monogramming and personalisation events. However this year, that didnt happen.

Kirk Original Glasses against a backdrop of Millie Bridget Henry Hankies and Tyler & Tyler Accessories

We could not just sit idly by though and not have an event, so we created one for ourselves. Along with a whole host of fabulous creators, we joined togather in the Service on Savile Row to create The Marketplace.

The Workers club gloves, Back Yard Gym Cold Brew and Coffee Beans from the Fresh Coffee Company, Wool Scarf from Dugdale Bros. and Co, Handkerchief by Millie Bridget Henry in a Hawthorne & Heaney Personalised Bag

Cad and the Dandy, Baron bags, Dugdale Bros and Co.,the Fresh Coffee Company, Kirk Originals, The Workers Club, Tyler & Tyler, Department Two, Kibble Watches, Tsai x Tsai, Millie Bridget Henry, Gotrich & Co. , Gownsmith, Colhays and Hawthorne & Heaney created a bespoke and specialist style items one stop shop. Curated to bring together hankerchieves, small batch roasted coffee beans, dressing gowns, glasses frames and personalised bags to name but a few, the Marketplace was a treasure trove of beautiful, unusual, crafted gifts.

Cad & the Dandy jackets, Millie Bridget Henry Hankies, Kirk Original Glasses

Sadly with the rerestricting of London going into tier 4, the marketplace is now closedbut we had great (safe) fun whilst we could- which feels like the whole of 2020 summed up dont you think?

Coffee Beans from the Fresh Coffee Company, Wool Scarf from Dugdale Bros. and Co, Handkerchief by Millie Bridget Henry in a Hawthorne & Heaney Personalised Bag

So if you’re think about next year and want to hold an event, get in touch, we’d love to hear from you and are raring to get out there (socially distanced of course)

Hawthorne & Heaney Visits The House of Bandits Exhibition

October 30, 2020 by Intern

On the 16th of October I got the opportunity to visit the House of Bandits exhibition, which is based at Rembrandt House in London, just down the road from Savile Row. This exhibition is part of the Sarabande foundation created by the late Alexander McQueen to support the new and upcoming visionary talent of today. Offering both studio space and scholarships the foundation has helped many inspiring artists to date.

One of the artists in particular who I went to go see was Esna Su. She creates handcrafted pieces which explore ‘the subtle issues of identity and memory and how these are shaken in the context of political instability’. Within her work she uses the traditional Turkish techniques of weaving, twinning and crochet. As a fellow weaver myself I can understand the complexity and detail that goes into her woven pieces.

Below you can see the process that Esna Su goes through to create some of her final creations. When it comes to knitting, Su uses strips of vegetable leather and knits them together. She lets the designs take shape in their own way as once the leather is dry the organic shapes are exposed. In her own words ‘’through irregular and hollow shapes, she exposes the burden of displacement but also sketches an aspiration towards protection and preservation’’.

“It’s a big part of my life being at Sarabande and I’ll always remember my time with a big smile. I would never have been brave enough to do this without the support of Sarabande.”

Along with Esna Su’s work was another Turkish artist called Berke Yazicioglu who showcased his woven wall hanging which had a particular inspirational point of view. The following designs shown below are woven representations of Igor Stravinsky Rite of Spring. Listening to this piece he used the sound colour theory by different sounds, notes and instruments meaning different textile aspects. For example, the beat inspired the framework, the instruments represent a specific colour and the notes equal to a certain colour tone.

This exhibition is free. And for specific artists you can buy tickets. This is a great exhibition to help support fellow designs and is one to check out.

Words and Images by Isabelle Humm

Hawthorne & Heaney Presents Graduating Class of 2020

July 22, 2020 by Natasha Searls-Punter

This year thus far, it can definitely be said to have been an unusual one at the least but some things must remain and the show go on. This year’s textile graduates may not have had their usual physical showcase of their works but they have worked very hard and will be graduating none the less.

We at Hawthorne and Heaney are very proud to have these young people choose to spend some of their industry experience time with us, and after working with them in the studio for some months it is wonderful to see how their work has grown and progressed since we saw it last. Therefore it is out pleasure to bring you this year’s graduates from the Hawthorne and Heaney intern community:

Kiah Nicole Fisher– Loughborough University- Textiles: Innovation and Design

Luminescence: ”This project is based on the scientific theory of the existence of other dimensional/parallel universes and visualising the journey one might take to enter another dimension. Parallel universes have been a scientific theory studied by many physicists and mathematicians throughout the centuries, including Plato who’s Cave allegory seems to imply that our three dimensional world is but a projection of an even higher dimensional reality. I was initially inspired by the story of Alice in Wonderland, when Alice falls into the rabbit hole. Mathematician and writer Lewis Carroll was able to visualise the idea of connecting multiple universes through the possibility of wormholes within this children’s book.

Taking inspiration from science fiction movies and series that attempted to visualise inter-dimensional travel through hyperspace with flashing lights, such as 2001: A Space Odyssey, I mainly used photography to create original imagery that attempted to capture light in different states such as refraction, emission, and much more.

With this imagery, I was able to create a print design collection for a menswear/unisex utilitarian style collection. This collection would be an accessible fashion collection for those inner nerds who have a love for science fiction but don’t necessarily want to indulge in the fantasy of costume. This collection allows people to express their passion for science fiction, while making it fashionable and wearable.”

Laura Hill– Loughborough University- Textiles: Innovation and Design

Conscious Coastlines: ”Uses organic cotton, organic linen, recycled fibres, and yarn leftover from previous projects that would otherwise go to waste.
All synthetic dyes used contain no animal ingredients and were chosen based on their minimal levels of toxicity to the environment.

My final major project explores the creation of a “conscious” collection of textiles for the everyday interior environment and the everyday consumer. The theme is inspired by the natural beauty of all elements British coastlines. In the context of the project, “conscious” means that no animal products have been used in any stage of production, and so it can be regarded as a vegan collection. “Conscious” also refers to the choices to use more sustainable fibres and less toxic dyes.

Within my work I am a fast learner, observant, and methodical in my process. My strengths include a good understanding and use of colour, and the way in which I successfully translate a design from drawing to fabric. In my future career I aim to promote cruelty-free and sustainable practises within the textiles industry, and hope to work for a company whose values on these topics align with my own.”

Fading Waves

Amy Pickard– Huddersfield University- Costume with Textiles

”This year, I chose the construction with textiles pathway, specialising in embroidery. For my Final Major Project, I selected ‘Awakened’, a modern-day YA vampyre novel by P.C. & Kristin Cast. I’ve created the costume for Queen Sgiach, a powerful feminist and Scottish vampyre Warrior, who resides on the Isle of Skye. This directly inspired the colours, textures and motifs in her portrayal. Creating for a simulcast theatre performance allowed for detailed textiles, goldwork and beading, alongside bold digital embroidery to be explored throughout the project. Sustainability has been the key ethos surrounding my project/ practice this year. I sourced second-hand fabrics and accessories, used surplus or handmade embellishments, e.g. homemade sequins, and minimised waste when creating my costume and textiles collection. Similarly, I used only viscose instead of traditional polyester threads. For these, Madeira UK granted me a student sponsorship. Through this project, I have progressed my passion for embroidery and construction, predominantly corsetry. I also explored my interests with the following companies through a placement year: Oxfam Online Shop; The Alhambra Theatre; Hawthorne and Heaney; Hand & Lock. Additionally, I started my own business to fund my London placements; I am developing this further after graduation.”

Jessica Strain– Loughborough University- Textiles: Innovation and Design

Nature Reclaiming Spaces: ”Jessica’s graduate collection Nature Reclaiming Spaces, focuses on fusing the best of what modern machinery has to offer with specialist hand led embroidery and lacemaking techniques. Passion for manual processes can be seen throughout Jessica’s work; double exposure film photography, shuttle tatting and limerick lace were driving processes for this project.

Sustainability is at the heart of Jessica’s design process; she experimented with natural dyeing at home and spent hundreds of hours embroidering her pieces by hand. This intensive and considered approach to design is something she will take forward in her career. She aspires to continue creating work in a studio environment, honing her embroidery skills through future projects.”

Hawthorne & Heaney Presents Graduating Class of 2020 London Hand Embroidery

Abigail Tominey- Smith – Nottingham Trent University- Textiles

The Feel Good Feminine: ”Bringing together beautiful feminine florals and powerful text to represent strong women of the 21st century. Powerful words to showcase powerful women, to contrast with, and highlight their femininity. Created to inspire positive well-being and to improve the mental health of women through promotion of empowering words. Adding an additional level of meaning and a personal aspect to each design, producing a garment with emotional durability. Designing a luxurious and individual collection for a high-end bespoke womenswear market, personalised with text. Incorporating a calm and delicate colour palette on a range of sophisticated fabrics with mix of digital and hand embellished elements.”

I’m sure that has left you feeling quite inspired by these designers, we can’t wait to see what comes next for them as they embark on their careers.